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Tongue of Fire. Atmosphere For Healing, Deliverance, All Round Breakthrough, Express Miracles & Spiritual uplifting.
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We hereby Pray For Our Viewers & Subscribers (Now and Future) For Holy Ghost Empowerment and God Divine Presence in their Lives. We Pray also For God Divine Healing, Deliverance, Divine Breakthroughs, Divine intervention in their circumstances, Divine Encounters with God, Most importantly for their Salvation and that of their loved ones in the name of Jesus Christ our Lord and Savior..... Amen
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4 Hours Tongues of fire: https://youtu.be/Y4le7rqSowE
#PastorChrislive #Tonguesoffire #Midnightprayers #Nigeriatoppastors #RevChrisOyakhilome #Christembassy #Loveworldtv
A hunter becomes the prey when asked to track a vicious wolf on an Indian Reservation.
Director
Brett Bentman
Writer
Brett Bentman
Stars
Tom Zembrod Tiffany McDonald Blaine Hall
https://www.itnfilms.net/
TCS Houston provides essential fire watch services to help businesses maintain safety and stay operational when their fire protection systems aren't working properly. Since 1982, they've worked closely with local fire departments and government agencies to keep commercial property safe.
Fire watch becomes necessary in several situations when fire alarms break down, sprinkler systems fail, or buildings lose power or water supply. It's particularly important when businesses handle flammable materials or fail fire inspections. Without proper firewatch, businesses risk fines or being shut down. The company's firewatch officers conduct regular patrols throughout properties, checking for fire risks and making sure emergency exits stay clear. They inspect fire extinguishers and other safety equipment to confirm everything works properly. If they spot a fire, they quickly respond and help evacuate people safely.
TCS Houston creates custom firewatch plans based on each property's specific needs and local requirements. They patrol both occupied and empty buildings, adjusting how often they check based on risk levels. Clients can get firewatch services for emergencies, short periods, or long-term arrangements. The company also offers the option to combine Fire Watch with other security services for complete protection. The goal is straightforward. keep properties safe from fire risks while helping businesses stay open when their regular fire protection systems aren't working. Their firewatch professionals are ready to start on short notice, bringing decades of experience to protect people and property.
Visit the page at https://www.twincitysecurityho....uston.com/fire-watch
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A giant helicopter, with a rotor diameter bigger than the length of a football field. It would be capable not only of transporting a Saturn five S-1C first stage to the launch site - but of actually catching it in midair as it fell on a parachute - ready to be reused.
This is one of the biggest mind boggoling space concepts that was never built - developing a reusable rocket technology - but in the 60s.
Today on our new space channel, we will be covering one of my favorite, yet unkown, insane plans, an aircraft built to play catch with a moon rocket - the Hillers Air Tug.
It was monstrous huge, with a rotor diameter over 400 feet, or 120 meters for our European friends.
These rotors would have jet engines on the tips, that would allow the rotors to make one rotation per second - which is very fast for something so dam wide - but i'll get to the physics problem in just a second.
Its vast engine would be situatied vertically in its rotor stem, and it would have two curving sides to help stablise the rocket in flight.
This size would have a huge eight of 450,000 pounds (200,000 kilograms) and with his huge rotors, be able to carry 550,000 pounds (250,000 kilograms) - a total, for those playing along at home, with a gross weight of 1 million pounds - impressive ideed.
According to Hiller, it was technically not a helicopter but rather a Rotary Wing System for Booster Recovery - but if it looks like a helicopter and goes woom woom woom like a helicopter - then it is, with the added nick name the Air Tug.
The helicopter design of course, made it also avaliable for other operations
well outside simple booster recovery, such as operating as a sky crane, or a aerial transport for cargo both in the military and civil markets.
Perhaps this helicopter would have gotten revenge for the hillers contract loss to the Hughes OH-6A Cay-use helicopter to the army, a light scout helicoper used throughout the vietnam war.
So... how exactly did this helicopter, or flying tug boat, - catch - a rocket in midflight... well hold on, because this ride is about to get real bumpy - yee ha!
When the rocket was fired, the helicopter would take to the skies from a nearby airbase. It would fly to the zone that the booster, the S-1C, would land, and lotier in the area for up to six hours with its large fuel tanks - hovering at around 15,000 to 20,000 feet (4,500–6,000 meters).
When the booster seperated and began its decent,
it would deploy a sort of double tandum parachut, the upper section would have a hook.
The air tug would approach the decending rocket, and meet it at around 10,000 feet (3,000 meters). At this point the rocket would be descending along a glide path with more forawrd than doward velocity, making it perfect for a intercept by the helicopter.
The Air Tug would fly the same glide path, matching the speed and trejectory, it would dploy a grabbling hook, and with help from a viewing plafrom on the side, it would snag the upper parachut, or pickup chute.
Then the helicopter would slowly slow its decent, taking on more and more of the boosters weight, and centering the rocket directly underneath it, assuming the same center of gravity. once it was sufficently slow enough and the heclipter was carrying the full load, the boosters parachouts would deflate and the fuslage suspended 700 feet below the helicopter.
If the first pass was unsuccessful, sufficient time would remain for two more attempts before the booster was too near the ocean's surface for another try.
But its not over there - the helicopter would then reel in the booster using its powerful winch - which again, was onboard somewhere, and rotate the booster horizontal under the helicopters u shaped fuslage - fitting snuggly and more aerodynamically sound. The air tug would then return to base for the booster to be prepped for another launch, or other operations.
Expensive as such a helicopter would have been at the time to develop, the huge aircraft would have paid for itself with the first several recoveries.
So simple in theory, but there was one major flaw with the concept.
Three Days Grace's official music video for 'Never Too Late'. Click to listen to Three Days Grace on Spotify: http://smarturl.it/ThreeDaysGraceSpot?IQid=TDGNTL
As featured on The Collection: Three Days Grace. Click to buy the track or album via iTunes: http://smarturl.it/ThrDayGrClctiTunes?IQid=TDGNTL
Google Play: http://smarturl.it/ThDayGrNTLplay?IQid=TDGNTL
Amazon: http://smarturl.it/ThrDayGrClctAmz?IQid=TDGNTL
More from Three Days Grace
Animal I Have Become: https://youtu.be/xqds0B_meys
I Hate Everything About You: https://youtu.be/d8ekz_CSBVg
Pain: https://youtu.be/Ud4HuAzHEUc
Follow Three Days Grace
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Subscribe to Three Days Grace on YouTube: http://smarturl.it/ThreeDaysGraceSub?IQid=TDGNTL
More great 00s videos here: http://smarturl.it/Alternative00?IQid=TDGNTL
---------
Lyrics:
This world will never be
What I expected
And if I don't belong
Who would have guessed it
I will not leave alone
Everything that I own
To make you feel like it's not too late
It's never too late
Even if I say
It'll be alright
Still I hear you say
You want to end your life
Now and again we try
To just stay alive
Maybe we'll turn it all around
'Cause it's not too late
It's never too late
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Episode : 32 ये पाड़ेेेगें ... .कच्छे !
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BTS (방탄소년단) 'IDOL' Official MV
Director : YongSeok Choi (Lumpens)
Assistant Director : Guzza, MinJe Jeong, HyeJeong Park (Lumpens)
Director of Photography : HyunWoo Nam(GDW)
Gaffer : HyunSuk Song (Real lighting)
Art Director : JinSil Park, Bona Kim (MU:E)
Art Team : HyunSeung Lee, YeMin Ahn
Construction Manager : SukKi Song
Key Scenic artist : Yeongjun Hong, KwangHyun Lim, SangHyeok Seo
Show Light : SungKeun Ma (A&T light)
Lift Operating : Jong Kang
BigHit Entertainment. Rights are reserved selectively in the video.
Unauthorized reproduction is a violation of applicable laws.
Manufactured by BigHit Entertainment, Seoul, Korea
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