قران كريم بصوت جميل جدا جدا

LYRICS: ohhh
yeah
Akon
and
Sway

Konvict

That girl ain't no joke
I love the way she roll
especially when she working going up and down that pole
cause she's a professional and she'll stick you up without a weapon, oh she's so cold
if you don't know she'll rob you for your silver and gold (gold, gold, gold, gold)
she will take it and go (go, go, go, go)
for your silver and gold (gold, gold,)
she will take it and go (go, go, go, go)
if you don't know...


Just hoped off a plane
name just popped up again
UK just got hot again
Konvict Muzik, top for the game
I'm in tha club and im watching the dame
who's in love cuz she's watching the watching the chain
and where there is drop over range
one thing is for sure
it's the top of the range
clubs about to close
follow me to my crib, come without your clothes
most girls are happy wit a rose
she rather have bottles of rose hennessy and mo
she's out for the dough
she'll bounce for anyone with an account full of 0s
got bounced from anyone when her account gets low
cuz money money money makes the girls get low

That girl ain't no joke
I love the way she roll
especially when she working going up and down that pole
cause she's a professional and she'll stick you up without a weapon, oh she's so cold
if you don't know she'll rob you for your silver and gold (gold, gold, gold, gold)
she will take it and go (go, go, go, go)
for your silver and gold (gold, gold,)
she will take it and go (go, go, go, go)
if you don't know...


Yeah i wana beat, got the whole club feeling like rio on the beach
she got them pretty Louis V upon her feet
and she loves me cuz im a CEO of my team
and she could tell where you came,
running with Akon but i ain't T-Pain
get a little change, but i exchange pounds
make it thunder in the club, who da hell needs rain
baby love glamour she ain't never been played
she loves London but she ain't never been Spain
she's always tellin me how much she loves my accent
but she's thinkin to herself, what the hell is he saying
yeah she's out for the dough
she'll bounce for anyone with an account full of 0s
got bounced from anyone when her account gets low
cuz money money money makes the girls get low

That girl ain't no joke
I love the way she roll
especially when she working going up and down that pole
cause she's a professional and she'll stick you up without a weapon, oh she's so cold
if you don't know she'll rob you for your silver and gold (gold, gold, gold, gold)
she will take it and go (go, go, go, go)
for your silver and gold (gold, gold,)
she will take it and go (go, go)
if you don't know...


If you never been exposed
you better be..
ready for this type of woman
cuz shes' outta your league
i watched her make the most powerful men just crawl on their knees
beggin for mercy..


That girl ain't no joke
I love the way she roll
especially when she working going up and down that pole
cause she's a professional and she'll stick you up without a weapon, oh she's so cold
if you don't know she'll rob you for your silver and gold (gold, gold, gold, gold)
she will take it and go (go, go, go, go)
for your silver and gold (gold, gold,)
she will take it and go (go, go, go, go)
if you don't know...

( Contact Name & Address )
Mohammad Zarrar, Moh-Newada, Po-Mubarakpur, Distt-Azamgarh, U.P. Pin Code 276404
Contact Number. 9236237508 - 9793831384
Whatsapp Contact. 9236237508

Escena de la película "Wicked: Parte II" (2025) en español castellano (España).

Voces:
Elphaba (voz hablada: Catherina Martinez, voz cantada: Mirela Cabero)

Wicked: Original Soundtrack ℗ 2024
Universal Studios and Republic Records, a division of UMG Recordings, Inc. and Verve Label Group, a division of UMG Recordings, Inc.

La serie de Mickey Mouse vuelve a la estética de los años 30, que evoca el cortometraje de 1928 Steamboat Willie, donde apareció por primera vez este icónico personaje. Manteniendo la esencia del clásico humor de Mickey, las aventuras del protagonista junto a sus conocidos amigos Minnie, Donald, Daisy, Goofy y Pluto se actualizan en ubicaciones de hoy en día como Santa Mónica, Nueva York, París, Pekín, Tokio, Venecia y los Alpes suizos.

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Lyrics:
Duerme, lindo Kovu
Sueña y duerme ya
Cuando seas un gran león
Tú el rey serás

Desterrada y perseguida
Sola y sin protección
Cuando pienso en esa bestia
Aumenta mi tensión

Pero tengo un sueño lindo
Que me hace sonreír
Me convierte en un minino
Y me ayuda a dormir

Que Simba no respire más
Y a su hija pueda yo atrapar
Que Nala llore de aflicción
Esa es mi Canción

El pasado y mis rivales
He tratado de olvidar
Y aunque sea insignificante
Los quisiera yo matar

¿Encontraste al fin a alguien
que lo arrastre hacia ti?
Se derramará la sangre
Es trabajo para mí

La melodía en mi rugir
Y el contrapunto en su gemir
Qué sinfonía de destrucción
Esa es mi Canción

Scar se fue, mas Zira sigue aquí
Y al león voy a educar
Para convertirlo en fiera
Con pasión por la maldad

Duermete, cara de pulga
Digo, que preciosidad
Cuando seas un gran león
Tú el rey serás

Tambores llaman a pelear
Y Kovu ruge con maldad
La cruel venganza
Al fin vendrá

Puedo oír las voces
Kovu es el mejor

De nuestra cruel venganza
Y sangrienta rebelión
El tiempo ya llegó
Esa es mi Canción

Rap elias ayaviri
x

Le carnaval des animaux (The Carnival of the Animals) (1886)

I. Introduction et marche royale du lion (Introduction and Royal March of the Lion) [0:00]
II. Poules et coqs (Hens and Roosters) [1:58]
III. Hémiones - animaux véloces (Wild Asses - quick animals) [2:42]
IV. Tortues (Tortoises) [3:22]
V. L'éléphant (The Elephant) [5:24]
VI. Kangourous (Kangaroos) [6:55]
VII. Aquarium [7:51]
VIII. Personnages à longues oreilles (Characters with Long Ears) [9:58]
IX. Le coucou au fond des bois (The Cuckoo in the Depths of the Woods) [10:35]
X. Volière (Aviary) [12:40]
XI. Pianistes (Pianists) [13:52]
XII. Fossiles (Fossils) [15:15]
XIII. Le cygne (The Swan) [16:41]
XIV. Finale [19:40]

This is a famous musical suite by French composer Camille Saint-Saëns (1835-1921), written while on vacation in Austria in 1886. It is scored for a chamber ensemble of flute/piccolo, clarinet (B flat and C), two pianos, glass harmonica, xylophone, two violins, viola, cello and double bass - in this recording, a full orchestral string section is used, and instead of the glass harmonica, there is a glockenspiel. Saint-Saëns believed that the work was too frivolous to publish during his lifetime, and for this reason, he only gave private performances to his close friends. He left a provision for it to be published posthumously, so the Carnival of the Animals only received a formal premiere one year after the composer's death.

Each of the fourteen movements depicts a different animal, often with plenty of humour and wit. The first is the majestic march of the king of the animals - the lion - played by strings and pianos. The low, rumbling octave figure passed between the pianos is, of course, the lion's mighty roar. The second movement (for pianos, clarinet, violins and violas) sees hens and roosters squawking while pecking at grains on the ground. The distinctive theme played by the piano is the rooster's "cock a doodle doo" call. Next, Tibetan wild asses - portrayed by the two pianos in unison - gallop frenetically through the scene. In contrast, the next movement for strings and piano depicts the slow, laborious movement of tortoises. This satirical section takes its main theme from the famous Galop infernal (or the can-can) in Offenbach's "Orpheus in the Underworld" - but it is played exceedingly slowly. Then, the double bass and piano play a pompous, heavy-handed dance for the elephant. The thematic material derives from the scherzo in Mendelssohn's incidental music to "A Midsummer Night's Dream" and the ballet of the sylphs in Berlioz's "The Damnation of Faust". The brief sixth movement sees two pianos play an abrupt, bouncy figure depicting hopping kangaroos. Next, we find ourselves inside the shimmering water of an aquarium full of graceful fish. This movement is played by strings, pianos, flute, and glockenspiel. The pianos play a high rolling ostinato - one in decuplets and the other in sextuplets. There follows a short movement for violins that sound like braying donkeys; perhaps Saint-Saëns meant the donkeys to represent asinine music critics. Next, the pianos and an offstage clarinet play a slow movement where a cuckoo's call breaks the quiet of the woods. The tenth movement for flute, piano and strings depicts an aviary abuzz with quiet activity, over which a tropical bird (the flute) sings a melody full of trills and scales. Then, we see a very different type of animal - pianists (who, after all, are primates). The two pianists awkwardly practice scale patterns similar to those found in Hanon exercises. The whole time, they stumble over notes and break unison - evidently they need more practice. Three loud unresolved chords lead into the next movement for strings, pianos, clarinet and xylophone, depicting fossils. The hollow sound of the xylophone evokes bones clacking together. The melody is from Saint-Saëns' "Danse macabre", the dance of skeletons. Other musical allusions in this movement include "Ah! vous dirai-je, Maman" (a.k.a. "Twinkle Twinkle Little Star"), "Partant pour la Syrie", the nursery rhymes "Au clair de la lune" and "J'ai du bon tabac", and a snippet from the aria "Una voce poco fa" from Rossini's "The Barber of Seville". The series of allusions is itself a musical joke, since these old tunes are cultural fossils. The penultimate movement played by the cello and pianos shows the graceful gliding of a swan over a rippling lake. This very well-known section has become a stand-alone staple of the cello repertoire as well as the brief Fokine ballet "The Dying Swan". Last comes the finale for the full ensemble, where themes from previous movements are reprised and combined to close the suite with excitement and panache.

Pianists: Vivian Troon, Roderick Elms
Conductor: Andrea Licata
Royal Philharmonic Orchestra

国漫3D

Song Title - Awasan Nowu Kathawa
Artist - Kokila Pawan Jayasooriya
Music - Mindada Dikwella
Lyrics - Kokila Pawan Jayasooriya
Video - K Productions