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ఈ ఒక్కటి తింటే గ్యాస్ ట్రబుల్ పోతుంది|Kadupulo Manta|Gastric Problem|Dr Manthena Satyanarayana raju|health mantra|
Manthena Satyanarayana Raju Speaks About Natural Ways to Cure Gastric Problems. Dr. Manthena Satyanarayana Raju Arogyalayam in Vijayawada is one of the biggest Nature cure hospital in India established by Dr. Manthena Satyanarayana Raju.
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#DrManthena#DrMantenaAshramam#
మీ ఆరోగ్య సమస్య ఏదైనా, ఎలాంటి వ్యాధికి అయినా పరిష్కారం కావాలనుకుంటున్నారా.. డా. మంతెన సత్యనారాయణ రాజు గారి ఆశ్రమంలోని ప్రముఖ నేచురోపతి డాక్టర్లు మీకు అందుబాటులో ఉంటారు. ఎలాంటి ఆహారం తీసుకుంటే మీ వ్యాధులు, అనారోగ్య సమస్యలు తగ్గి పోతాయి.. ఎప్పటికప్పుడు సూచనలు, సలహాలు అందిస్తారు... ప్రతి రోజు ఉదయం 6.30 గంటల నుంచి రాత్రి 9 గంటల మధ్య ఫోన్ నెంబర్ 9848021122 కి ఫోన్ చేసి మీ సమస్యలకు పరిష్కారాలు తెలుసుకోవచ్చు. దీంతో పాటు డాక్టర్ మంతెన సత్యనారాయణ రాజు గారి ఆశ్రమంలో ట్రీట్ మెంట్ వివరాలు తెలుసుకోవాలనుకుంటే 0863-2333888 కి ప్రతి రోజు ఉదయం 6 గంటల నుంచి రాత్రి 8.30 గంటల మధ్య ఫోన్ చేసి వివరాలు తెలుసుకోవచ్చు.
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বিচিবিহীন লিচুর জাত উদ্ভাবন | ২০ বছর পর সফলতা অর্জন | KrishiBID
#বিচিবিহীন_লিচুর_জাত_উদ্ভাবন
#২০_বছর_পর_সফলতা_অর্জন
#KrishiBID
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অস্ট্রেলিয়ার একজন কৃষক প্রায় ২০ বছরের গবেষণায় বিচিবিহীন লিচুর জাত উদ্ভাবন করতে সক্ষম হয়েছেন। চীন থেকে একটি লিচুর গাছ নিয়ে এসে শুরু হয়েছিল তার গবেষণা। এ প্রকল্পে ব্যয় হয় ৫ হাজার ডলার। এই কৃষকের নাম টিবি ডিকসন।
কয়েক দশক ধরে তিনি একাধিক জাতের লিচুর জাত উদ্ভাবন করেন। তার সবশেষ উদ্ভাবন হলো- বিচিবিহীন লিচু। যাকে তিনি ‘খুব সুস্বাদু’ বলছেন। এর স্বাদ অনেকটা আনারসের মতো।
lychee
এই কৃষক এবিসিকে বলেছেন, বিচিবিহীন এই জাত উদ্ভাবনে সফল না হওয়া পর্যন্ত তিনি চেষ্টা চালিয়ে যেতে থাকেন।
lychee
দীর্ঘ প্রচেষ্টায় লিচুর এই নতুন প্রজাতির উদ্ভাবন করা হয়েছে। চীন থেকে আমদানি করা ওই ছোট গাছ থেকে ক্রস পরাগায়নের মাধ্যমে এটি করা হয়। যাতে লিচুর পুরুষ ফুলের পরাগ সংগ্রহ করা হয় এবং তা নারী ফুলের অংশের মধ্যে স্থানান্তর করা হয়।
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কৃষিবিদ চ্যানেলের পক্ষ থেকে আপনাকে জানাই স্বাগতম।
বিচিবিহীন লিচু উদ্ভাবন করলেন অস্ট্রেলিয়ার চাষি টিবি ডিক্সন। ৫ হাজার মার্কিন ডলার দিয়ে প্রায় ২০ বছর আগে চীন থেকে তিনি এই একটি লিচুগাছ সংগ্রহ করেন। তখন থেকেই তিনি চালাতে থাকেন নানা রকম পরীক্ষা-নিরীক্ষা। ডিক্সনের মূল লক্ষ্য ছিল, বিচিবিহীন লিচু উদ্ভাবন করা। দুই দশকের কঠোর পরিশ্রম শেষে অবশেষে সাফল্য পেয়েছেন ডিক্সন। তিনি জানান এই লিচু অনেক সুস্বাদু এবং খেতে অনেকটা আনারসের মত। এছাড়াও তিনি ভিন্ন জাতের লিচু উদ্ভাবন করেছেন। ৪০ বছরের বেশি সময় ধরে তিনি লিচু চাষ করে আসছেন এমনটাই জানান সংবাদমাধ্যম এবিসিকে। পর-পরাগায়নের মাধ্যমে ওই বিচিবিহীন লিচু উদ্ভাবন করেছেন। অনেক সময় ও শ্রম ব্যয় করে আজ তিনি সফলতা অর্জন করেছেন।
ডিক্সন বলেন, এই লিচুর উৎপাদন এখনো প্রাথমিক পর্যায়ে রয়েছে। কয়েক বছরের মধ্যেই এটিকে বাণিজ্যিক রূপ দেওয়া সম্ভব হবে।
আমাদের অন্যান্য ভিডিও:
চায়না কমলা লেবু চাষ পদ্ধতি: https://youtu.be/8ygysdzEqUY
জিনসেং চাষ । কোথায় পাবেন জিনসেং চারা: https://youtu.be/GEBNAC0aBOY
সকলকে আমাদের আজকের ভিডিওটি দেখার জন্য অনুরোধ করছি।


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On Friday, September 11, at 12 p.m., in conjunction with the DIGNITY: Tribes in Transition exhibition, photographer Dana Gluckstein joined local artists who are using their art to advance social causes for a panel discussion.
Dana Gluckstein has photographed Nelson Mandela, Mikhail Gorbachev, Desmond Tutu, and Muhammad Ali, as well as award-winning advertising campaigns for clients such as Apple and Toyota. A museum-collected photographer, she has fine artworks in the permanent collection of the Los Angeles County Museum of Art and the Santa Barbara Museum of Art. Her book, DIGNITY: In Honor of the Rights of Indigenous Peoples, and the associated international museum exhibition, DIGNITY: Tribes in Transition, have received international acclaim and awards. She graduated from Stanford University, where she studied psychology, painting, and photography.
Ann Fessler is an installation artist, filmmaker, and author. For 40 years, she has sought to amplify the stories of individuals whose lives are negatively affected by dominant cultural myths and stereotypes, and to bring the experiences and perspective of those affected by social policy into conversation with those who make it. She has produced three films and numerous audio-video installations on the subject of adoption. Her book, The Girls Who Went Away, based on more than 100 interviews she conducted with women across the US who lost children to adoption in the 1950’s, 60s and early 70s, was chosen as one of the top five nonfiction books of 2006 by the National Book Critics Circle and received the Ballard Book Prize, given annually to a female author who advances the dialogue about women’s rights. She teaches at the Rhode Island School of Design.
Artist Juan Jose Barboza-Gubo has had numerous exhibitions in US, including shows at the Nielsen Gallery, the Art Institute of Boston at Lesley University, the Chazan Gallery, Providence; and the Brattleboro Museum and Art Center. His work has been featured in galleries and museums in Tokyo, Athens, Italy, and Peru. He received first prize in the Ceramic Biennial of the New Hampshire Institute of Art in 2008 and in the 78th Regional Exhibition at the Fitchburg Museum in 2014. He was awarded the 2015 Rhode Island State Council on the Arts Fellowship in Painting, and the 2016 Rhode Island State Council on the Arts Fellowship in Sculpture. He currently teaches at Rhode Island College. www.barboza-gubo.com
Photographer and curator Andrew Mroczek is currently associate director of exhibitions at Lesley University College of Art and Design. Curated solo exhibitions include artists Shen Wei, Dan Estabrook, Luba Lukova, Karen Moss, Robert Stivers, Maud Morgan, and Juan Jose Barboza-Gubo. Recent curated exhibitions include Of Cuban Invention (2012) and Visible Soul (2014). His exhibitions have been reviewed in the Boston Globe, Art New England, Artscope Magazine, Big Red & Shiny, the Boston Phoenix, the Boston Metro, and the Weekly Dig. He is a member of the advisory boards of the Camera Eye Workshops and the Cambridge Arts Council.
Barboza-Gubo and Mroczek's recent collaborations feature transgender women and gay men in Peru.
Artist Meredith Stern is a member of the International printmaking group Justseeds Artists’ Cooperative. Her practice includes printmaking, ‘zine publishing, gardening, and utilitarian ceramic ware. Stern has received project grants from RISCA, the Barbara Deming Memorial Fund, and the Puffin Foundation. In 2012 she curated a project titled "This is an Emergency!" a portfolio of writing and posters centered on gender justice. In 2014 she started working on an ongoing linoleum block portrait project of women and transgender creators called "Craft in Time." The first presentation of this work was an art show featuring 14 largescale portraits of people working in their studios and workplaces, hung alongside work by the portrait subjects, which was displayed at 186 Carpenter Street in Providence. Her work is in the permanent collections at the Library of Congress, The RISD Museum, and the Book Arts Collection at the MOMA in New York.


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Starring the voices of Catherine Wayne and Mark Fischbach. Additional 3D Modeling by Esther Nho.
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Amir "Longtemps" disponible ici : https://amir.lnk.to/longtempsAY
« Longtemps » extrait de la réédition de son nouvel album « Addictions »
Clip réalisé par Colin Solal Cardo
Sur une idée originale d'Amir
Prod : HK Corp
Comédiens : Lou Gala et Julien Mesclon
Paroles :
Je veux des problèmes,
Je veux que tes galères deviennent les miennes,
Je veux que tu me balances au visage tes orages, tes peines, pour des nuits diluviennes
Je veux qu’on s’apprenne,
Je veux partager tes joies tes migraines,
Ton corps me donne le vertige et tes mains me mènent où rien ne nous gêne
Je pourrais me tatouer notre histoire sur le bras,
Me mettre dans de beaux draps si t’es avec moi,
C’est toi dans ce monde de fous je le sais c’est tout
Et je voudrais que ça dure longtemps, user ma peau sur la tienne, un jour j’oublierai tout jusqu’à mon nom je saurais simplement que t’es là, que t’es belle que t’es mienne
Je voudrais que ça dure cent ans, que jamais la raison n’atteigne cet aveu cette envie de rêver tous les deux quand même, jusqu’à ce qu’un jour nos deux yeux s’éteignent
Mon évidence, t’es mon sourire et ma carte chance, je veux qu’on déconne, qu’on décolle, qu’on délire, qu’on danse jusqu’au dernier silence
J’irai dans la rue si t’as besoin d’un toit, je pourrais vivre nu pour que t’aies un peu moins froid, c’est toi dans ce monde de fous je le sais c’est tout
Et je voudrais que ça dure longtemps, user ma peau sur la tienne, un jour j’oublierai tout jusqu’à mon nom je saurais simplement que t’es là, que t’es belle que t’es mienne
Je voudrais que ça dure cent ans, que jamais la raison n’atteigne cet aveu cette envie de rêver tous les deux quand même, jusqu’à ce qu’un jour nos deux yeux s’éteignent
Et je voudrais que ça dure longtemps, user ma peau sur la tienne, un jour j’oublierai tout jusqu’à mon nom je saurais simplement que t’es là, que t’es belle que t’es mienne
Je voudrais que ça dure cent ans, que jamais la raison n’atteigne cet aveu cette envie de rêver tous les deux quand même, jusqu’à ce qu’un jour nos deux yeux s’éteignent