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Music video by Black Eyed Peas & Anitta performing eXplosion
Original concept: will.i.am
Directors: will.i.am, Pasha Shapiro and Ernst Weber
Producer: Tammy-Anne Fortuin
Cinematographer: Tigran Mutafyan
Editor: Sterling Hampton
2019 Tour Dates:
October 4: São Paulo, Brazil - Ginasio do Ibirapuera
October 5: Rio de Janeiro, Brazil - Rock In Rio
October 10: Asunción, Paraguay - Music Experience 2019
November 8: Perth, Australia - HBF Park
November 9: Melbourne, Australia - Marvel Stadium
November 10: Adelaide, Australia - Adelaide Showground
November 15: Brisbane, Australia - Brisbane Showgrounds
November 16: Sydney, Australia - Giants Stadium
November 17: Auckland, New Zealand - Western Springs Stadium
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#BlackEyedPeas #Anitta #eXplosion
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#rihanna #unfaithful #remastered
music video by Rihanna performing Unfaithful. (C) 2006 The Island Def Jam Music Group
#vevocertified on Feb. 15, 2012. http://vevo.com/certified http://youtube.com/vevocertified
Recientemente, Científicos descubrieron bacterias que habían estado enterradas bajo el fondo del océano durante más de cien millones de años y aún estaban vivas. ¿Qué cambiaría si pudiéramos vivir tan solo un millón de años? Inmediatamente me vienen a la mente dos pensamientos. Primero, la permanencia en el mundo académico debería tener un límite. Las universidades tendrían que limitar los nombramientos de profesores a un siglo como máximo para refrescar su reserva de talentos y mitigar los dogmas de educación e investigación anticuados. En segundo lugar, un pastel de cumpleaños no puede contener un millón de velas. En cambio, la cantidad de velas de cumpleaños podría reflejar el logaritmo de nuestra época. Para una persona de mil años, eso significaría tres velas.
Las generaciones pasadas solían decir que aunque no podemos posponer la muerte natural, podemos controlar cómo vivimos. También creían que "no hay nada nuevo bajo el sol". Ambas declaraciones son inexactas desde nuestra perspectiva actual. Con los avances en biociencia y tecnología, uno puede imaginar un futuro posterior al COVID-19 cuando la mayoría de las enfermedades se curen y nuestra esperanza de vida aumente sustancialmente.
Si eso sucede, ¿cómo cambiarían nuestras metas y cómo moldearía esto nuestras vidas? Dado el lujo de perseguir planes a más largo plazo, podríamos realizar tareas más ambiciosas. Podríamos decidir preocuparnos más por nuestro entorno planetario y la cooperación interpersonal, ya que la contaminación y las hostilidades conllevan peligros a largo plazo. Una experiencia de vida prolongada podría hacernos más sabios y más reacios al riesgo, ya que hay mucho más en juego. No tendría mucho sentido enviar soldados jóvenes a guerras o iniciar guerras en primer lugar.
Pero incluso con estrategias astutas, la supervivencia no está garantizada de ninguna manera. Por ejemplo, la correlación conocida entre el tamaño del cerebro y el peso corporal no hizo que los dinosaurios fueran lo suficientemente inteligentes como para desviar el asteroide que los mató. Los accidentes son inevitables y los centros de tratamiento estarán continuamente ocupados reparando los daños no fatales debido a contratiempos de rutina.
Sin embargo, el futuro a corto plazo no tiene por qué ser tan sombrío. El beneficio inmediato de prolongar la vida es mantener vivos a los seres queridos durante más tiempo. El punto final es inevitable, pero como señaló el filósofo griego Epicuro en su Carta a Menoeceus, la muerte no debe ser temida porque nunca la encontramos, ya que “cuando estamos, la muerte no ha llegado y, cuando llega la muerte, no estamos . " Los alborotadores también vivirán más tiempo y serán encarcelados por comportamiento inadecuado. Aquellos cuya libertad fue inhibida por la sociedad siempre vieron esto como un rayo de luz: la muerte trae la máxima libertad de todas las cadenas sociales. Lamentablemente, esta libertad llega demasiado tarde para hacer algo con ella, ya que se caracteriza a perpetuidad por las siglas y el lema del viejo coche británico Iris: “It Runs in Silence”. Al igual que la titularidad académica, las condenas a cadena perpetua deben limitarse a un período mucho más corto que un millón de años.
La escala de tiempo de un millón de años es una elección arbitraria, comparable al período completo que ha transcurrido desde que nuestra especie ancestral Homo erectus surgió en África. Es convenientemente más corto que las edades del universo, el sol o la Tierra. En principio, uno podría imaginar una vida que dura mil millones de años, durante la cual las estrellas se encienden y apagan en el cielo como bombillas. En el contexto de esa perspectiva a largo plazo, nuestras preocupaciones actuales sobre el mundo parecerían tan ingenuas como el primer pensamiento en la cabeza de un bebé recién nacido.
fuente: https://www.scientificamerican.com
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A video for 'My Girls' from Animal Collective's new album Merriweather Post Pavilion. Out now on Domino.
Produced by: Knowmore Productions
Animated by: Jon Vermilyea
Edited/VFX by: Chad Von Nau
Domino Records Providing ear comfort since 1993...
Check out Domino Records online:
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https://twitter.com Recording Company, an independent record label since 1993, is home to artists such as Arctic Monkeys, Animal Collective, Franz Ferdinand, The Kills, Anna Calvi, Four Tet, Real Estate, Dirty Projectors, Wild Beasts, Francois & The Atlas Mountains, Clinic, About Group, Robert Wyatt, Owen Pallett, Cass McCombs, Villagers, Blood Orange, Bonnie "Prince" Billy, Eugene McGuinness, Sons & Daughters, Stephen Malkmus, King Creosote, Twin Sister, The Count & Sinden, The Last Shadow Puppets, Max Tundra and more.
Approaching 20 years since its inception, Domino Recording Company is now established as one of the UK's leading independents. Launched by Laurence Bell on the back of a £40 a week enterprise allowance scheme and sticking throughout to a commendable set of principles, Domino has long championed and nurtured the outsider whilst enjoying both critical and commercial success.
Fifteen years since its inception Domino Recording Company is now established as one of the UK's leading independents. Launched by Laurence Bell on the back of a £40 a week enterprise allowance scheme and sticking throughout to a commendable set of principles, Domino has long championed and nurtured the outsider whilst enjoying both critical and commercial success.
From the off the label became a home for the most idiosyncratic of artists, led by Sebadoh and keenly followed by Royal Trux and Palace Music. In Domino these artists recognised a label that could understand and work with their vision.
Despite racking up classic album after classic album by Palace, Smog, Elliot Smith and Pavement however, Domino remained firmly entrenched in the American music scene. But with British music enjoying a creative resurgence in the late '90's. Domino was set to enter a new phase. ''That was what we always hoped would happen'' says Bell, ''it just took longer than we thought and maybe for while we got stuck in our own bubble. But around 1997-98, we began to realise that the sort of bands we wanted to sign did exist in Britain and the fact that they liked the records we'd put out might encourage them to throw in their lot with us''.
And so they did with UK artists The Kills, Clinic, Four Tet, singer songwriter James Yorkston and Archie Bronson Outfit joining the Domino stable and releasing seminal and critically acclaimed records. But it was in 2003 that the label hit pay dirt with Franz Ferdinand - the standard bearers of a new art-rock movement - and Domino found themselves thrust into the spotlight. 'Take Me Out', Franz Ferdinand's second single, captured the mood of a nation and became a worldwide hit for the label.
In 2007 the Arctic Monkeys effortlessly followed up their debut with 'Favourite Worst Nightmare' a record bristling with confidence and swaggering intelligence. The year drew to a close with the band sharing space at the top of the end of year polls with Robert Wyatt, one of the label's latest signing. Wyatt's 'Comicopera' was a tour de force of his singular vision and effortlessly gave notice of how Domino is now placed to connect music of all generations with its rightful audience hungry for the real thing.
The future of Domino is always balanced between allowing existing artists freedom of expression and discovery of the new. Lightspeed Champion, Yo Majesty! and The Count & Sinden are all recent additions to the label's release schedule ensuring it remains innovative, idiosyncratic and as distinctively Domino as ever.
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"animal collective" "my girls" domino "avey tare" "panda bear" geologistDomino Recording Company is an independent record label founded in 1993. Subscribe to Domino: http://goo.gl/kdcyu
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